"As kingfishers catch fire, dragonflies draw flame; / [ . . . ] Each mortal thing does one thing and the same: / Deals out that being indoors each one dwells; / Selves -- goes itself; 'myself' it speaks and spells, / Crying 'What I do is me; for that I came'." --Gerard Manley Hopkins
Showing posts with label LotR. Show all posts
Showing posts with label LotR. Show all posts

25 October 2006

Wrestling with God, Again

I have been thinking a great deal about the nature of suffering the past couple of years. Lately, a number of young women have come through my door to ask me about depression, many of them having been told that they must "snap out of it," or "get right with the Lord," so that they can be happy.

Depression is my own most intimate knowledge of suffering. I am not a counselor, only a listening empathetic ear, but I do know this: the suffering of depression is not sin. One may, of course, choose to sin in response to that suffering (as I have so terribly, far too many times), but the suffering is not sin.

We tend, I think, to see it as such because, as Christians, we are told that we must rejoice. But joy and happiness are not the same thing. One can be most unhappy and still have joy. The key for the one who suffers from depression is learning where that joy lies and how to cling to it in the midst of depression's sadness and even despair, knowing the difference between the suffering of depression and the truth of God's love for us.

I love the scene in Lord of the Rings when Pippin and Gandalf are standing together on the walls of Minas Tirith looking out over the rising darkness from Mordor that threatens to engulf all of Middle Earth; they do not yet know whether Frodo is still alive or Sauron has recovered the Ring. Pippin looks at Gandalf: "In the wizard's face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that underneath there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to burst forth."

And Hopkins, of course, in even the most terrible of the Terrible Sonnets, always seeing the spark of hope that is his salvation, knowing that the One who seems to be his enemy is in truth his Friend, and crying out to Him, even his cries of anguish a form of worship, however deep his despair.

And the star in the darkness above Mordor that gives Sam the hope that carries him through the last terrible days of their ordeal, reminding him that above the darkness is something greater and eternal, that the darkness, however long it may last and whatever evil it may accomplish, is still only for a moment in comparison to beauty.

Depression may come once, twice, or last a lifetime. But all of us suffer in this world, one way or another. What will we do with it, and will we let it overwhelm the beauty that objectively still surrounds us? In "When Roses Speak, I Pay Attention," Mary Oliver writes that the roses tell us, "Listen, / the heart-shackles are not, as you think, / death, illness, pain, / unrequited hope, not loneliness, but / lassitude, rue, vainglory, fear, anxiety, / selfishness."

The first things she names come to all of us, whether we will or no. We can choose -- though the choice can be extremely difficult at times -- not to wallow in the latter ones. May the Lord bring to us the friends and counselors we need to help us learn how to make that choice, not be too hard on ourselves when we inevitably fail (repent and go on living without wallowing in guilt, either; He knows our frame and has already forgiven), and daily draw closer to Him in whatever suffering He allows for our refinement.

"Why?" Hopkins asks in "Carrion Comfort" of the suffering given him. "That my chaff might fly; my grain lie, sheer and clear."

I pray, with fear and trembling, for clear grain, Lord, to serve You with.

08 August 2005

Perspectives

Pippin to Merry in the Houses of Healing in Gondor: "Dear me! We Tooks and Brandybucks, we can't live long on the heights."

"No," said Merry. "I can't. Not yet, at any rate. But at least, Pippin, we can now see them, and honour them. It is best to love first what you are fitted to love, I suppose: you must start somewhere and have some roots, and the soil of the Shire is deep. Still there are things deeper and higher; and not a gaffer could attend his garden in what he calls peace but for them, whether he knows about them or not. I am glad that I know about them, a little."

And Frodo to Sam as they meet the Elves on the way to the Havens, where Frodo will go over the sea in search of healing: "I have been too deeply hurt [to stay in the Shire], Sam. I tried to save the Shire, and it has been saved, but not for me. It must often be so, Sam, when things are in danger: some one has to give them up, lose them, so that others may keep them."

18 April 2005

In Hope of Beauty

The boy is reading Lord of the Rings, perhaps for the dozenth or so time. At times, he asks me to read aloud, so I am revisiting occasional chapters with him, glad for the opportunity to indulge myself. As I do so, I am becoming more and more convinced that Tolkien ranks amongst the most brilliant of our writers in the English language both because of his craft and because of the richness and depth of his ideas.

After Frodo and Sam have escaped from the orcs in the Tower of Cirith Ungol, they struggle to find their way to Mount Doom, hope dying daily. Even the change of wind and clearing of the sky that show the tides of war have changed do not unburden Frodo; he can only see that they themselves are still in Mordor on an increasingly hopeless quest. Sam, trying to keep himself awake one night on watch, looks out at the sky:

“Far above the Ephel Duath in the West the night-sky was still dim and pale. There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach. [. . .] Now, for a moment, his own fate, and even his master’s, ceased to trouble him. He crawled back into the brambles and laid himself by Frodo’s side, and putting away all fear he cast himself into a deep untroubled sleep.”

A professor of mine once mocked Tennyson’s poem “Two Voices” because the resolution was too simplistic: how could simply hearing the church bells and seeing a family on their way to church make the speaker choose life instead of death? But it is precisely in those simple things that we see hope. A star, a friend’s touch, a bell ringing us to rejoice.

Why do we keep struggling? Because we know -- by these signs that grace allows us -- that in the end is the beauty we have longed for all our lives.

Followers