
Last night I slept badly. As I pulled out of the driveway in a foul mood, having told K that he needed to pray for me to find a reason to care about anything, I was greeted by the morning star shining above a pastel-tinged horizon.

I have been approved for a sabbatical for Spring 2012, an opportunity to spend concentrated time writing. Here’s what I wrote for the application to describe my goal for the time:
My intention [for the sabbatical] is to complete a book-length collection of familiar essays. For many years I have explored this genre: reading, studying, and teaching it; creating bits and pieces, starts and half-finished attempts. I have published a few reviews that fall to some degree within this genre, but would like to revisit some of these to make them less “reviews” and more “essays.” Since 2005, I have written nearly 400 posts at my personal weblog, well over half of which are actually beginnings and drafts of full-length familiar essays which need only development for breadth and depth to be complete. My recent discovery of G. Douglas Atkins’ work in the familiar essay genre reminded me yet again of its value and potential and of how I long to become adept in its achievement. Atkins in particular notes how the familiar essay can transcend the merely personal and earthly, how it can become incarnational in nature, ultimately suggesting to its readers the reality of the Incarnation itself. Whether I have the ability to do this, I don’t yet know . . . but I believe the trying – the essaying – is in itself work of value, both as it changes and challenges the writer and as it offers thoughtful considerations for the reader.
The topics on which I write are widely varied, but all circle back to themes of seeking what it means to live well, day by day, moment by moment, in this fallen world. Because I am a writer and a teacher of writing and literature, my essays often arise from and address works of literature and reflections on the writing life, as well as concerns about education and the lives of young men and women struggling in an increasingly chaotic and relativistic world. Because I am a woman and therefore a daughter and sister, a wife, mother, and grandmother, my essays also often derive from these roles and relationships, as well as from the sharpening iron of friendships forged over the years. Inevitably, my sufferings and trials underlie my writing choices and perspectives as I seek joy and hope in their midst. Since the familiar essay uses the particulars of the writer’s life to connect with, comment on, and illuminate the universality of human experience, this personal approach places my work solidly within that genre. I wish to bring these varied subjects and perspectives together under the concept of reflected light: as the moon has no light of its own but only reflects the light of the sun as their separate positions dictate, we should strive not to create our own light but to reflect the light of Christ in all we do and are.
I plan to spend this summer and fall gleaning from the work I’ve started those idea drafts that look best suited for this project, beginning to organize them, and starting the reading that I’d like to do alongside the writing. It’s an exciting and scary prospect, certainly, and I’m anticipating learning as much (or more) about myself as about anything else.
This is the closest the moon has been to the earth in 18 years, and the closest it ever gets -- called a supermoon. We stood on the porch and watched it rising behind the clouds, astounding beauty in the night sky. The world seems to be going up in flames, but we can't destroy God's creation, no matter how hard we seem to try . . . I am reminded again of Gerard Manley Hopkins:I left a few minutes early to go to my first class this morning, the sky grey from clouds and Daylight Savings. Starting down from third floor, I felt the world spin around me as I almost lost my footing . . . not the way I wanted to confirm that indeed I cannot walk down a flight of stairs with my bifocals on. Thankfully, I caught my balance on the brass railing, then removed my glasses and continued carefully. At the landing between third and second, still moving slowly in the half-fog of unglassed sight, I found myself eye-to-eye with a mockingbird.
I wasn’t sure for a moment that’s what he was. He sat perched on the outside ledge of the picture window, looking straight at me. I’ve seen so many doves and pigeons lately, I thought at first that’s what he was — but then I realized his grey was a little smoother and deeper, his inquisitive look a little more sophisticated, and I saw his wings and that hint of white at their tips. We stared at each other for at least ten seconds as I slowly put my glasses back on.
I wonder what he saw, how he processed it — colors, size, movement? Did he see my eyes and look into them, as he seemed to? He gazed attentively, moving his head just slightly to get different angles. I moved closer, to see how long he would stay, and I nearly reached the window before he decided a threat loomed on the other side of the glass. The white on his wings and tail as he spread them in flight blazed out like the sun in the grey world.
He didn’t go far, lighting on a floodlight jutting up from the rooftop, to illuminate the building’s crenellated entrance at night, and he turned back to check out the catalyst for his flight. Would the threat follow, did he need to fly a little further? I stayed still and we assessed each other again for a time.
Just as I was thinking that I needed to go on, another flash of white and grey swooped in toward him and a tangle of feathers struck the air as they fought over the coveted vantage point. My mockingbird won, and the other fled, to be attacked by still a third; those two drew a truce and landed together a few feet away on a skylight above the cafeteria.
My mockingbird turned his head from me to his rivals and back again, alert for danger from all sides; the other two went about their business, preening themselves, hunting for insect tidbits. I turned away to go about my own business, assessing the threats facing my day, pushing my hair out of my eyes, grateful for the tidbits of joy that keep framing my days.
cross-posted
I ran across this lovely poem by William Stafford in Parker Palmer's The Courage to Teach:
"Lit Instructor"
Day after day up there beating my wings
with all the softness truth requires
I feel them shrug whenever I pause:
they class my voice among tentative things,
And they credit fact, force, battering.
I dance my way toward the family of knowing,
embracing stray error as a long-lost boy
and bringing him home with my fluttering.
Every quick feather asserts a just claim;
it bites like a saw into white pine.
I communicate right; but explain to the dean--
well, Right has a long and intricate name.
And the saying of it is a lonely thing.
--from American Poems


Having spent most of the break ill with one thing or another, I’ve begun the spring semester inordinately weary, even for me. And it started with snow and ice and gray skies for two weeks, and so I’ve been in a low-level funk, not even overcome by finding that my classes are going to be some of the best I’ve ever had.
Yesterday, I pulled out of the driveway in the early morning darkness to see a single star shining brightly above me, and my heart lifted a moment in the hope of clear skies for the day. I thought of Sam and the star above Mordor and was glad. Then I came around the circle of our neighborhood to be stunned by the sight of the full moon filling the sky with her glorious misty light. She lit my way to work, glowing behind the branches of the trees on the old ferry road. By the time I arrived in the parking lot, she was muted by dark clouds, but glowed faithfully behind them in a reminder of the light always above darkness.
This morning I watched for her as I came around the circle, and there she was, an alabaster glow this time in a clear sky, triumphantly brilliant. Again she lit my way to work, and in the parking lot I was able to sit for a few minutes and simply watch and be filled with her light. A small tree stood beside my car, and as I leaned against the head rest, its branches, bare except for a few clusters of dead leaves waiting to be dropped by new growth, created a dancing frame for the moon’s glow. White clouds sailed below her, lit by her light, and even the dead leaves took on some of her life.
As I finally gathered my things and walked across the parking lot to the building, the moon bright behind me, I realized again her call to faith. She has no light of her own to offer; she does not choose where to be or what to do: she only faithfully keeps the orbit she has been assigned and the sun does all the rest as he sees fit.
(photo by my husband, yesterday morning)

