"As kingfishers catch fire, dragonflies draw flame; / [ . . . ] Each mortal thing does one thing and the same: / Deals out that being indoors each one dwells; / Selves -- goes itself; 'myself' it speaks and spells, / Crying 'What I do is me; for that I came'." --Gerard Manley Hopkins

14 August 2018

Cliffs of Fall: Remembering Christopher

(Christopher left us on 9 February 2018; this is how I was at Easter.)

Cliffs of Fall

On a rainy Saturday morning in early February, I decided to take just a quick glance at my college email.  Moments later my husband appeared at the door of my study, concerned, and I realized my repeated refrain – “no, no, no” – had raised from a bare whisper to an outraged cry.

“It can’t be true,” I managed to tell him.  “They say Christopher’s killed himself.”

Christopher:  my advisee, my friend, just a few weeks from graduation with highest honors, one of those few students genuinely loved by all on campus.  It wasn’t until I encountered his absence from the hallways on Monday morning and his empty seat in my Hopkins class that afternoon that I really believed I wasn’t trapped in a nightmare.

The beret, the bowties: eccentricities to be sure, but not, it became clear, for the purpose of garnering attention – it was just a style he enjoyed.  (And still my fingers want to type “is” and “enjoys.”)  A committed student:  if I arrived at my office by 7:00 or even earlier, Christopher was sure to be somewhere about, reading, writing, preparing for his day, often greeting me with a new book or a new insight.  Brilliant:  already on his way to seminal work in ancient philosophy in both his senior theses (a double major, of course, in classical studies and philosophy).  Curious and eager: I had to order him to stop reading so that he would have time to actually write and edit his thesis on Heraclitus before term’s end in the fall.  Caring: “how are you?” meant he really wanted to know, and his popularity rose no more from his quirky, fun-loving ways than from his ability to listen, to encourage, to speak truth.

He came to our small Christian college a believer, but not fully satisfied.  My course on Gerard Manley Hopkins played into his seeking, and he converted to Catholicism during that first semester of his sophomore year.  He loved the Church as he loved his Lord, and he taught us much about his new-found home – which he was studying and living with typical whole-hearted enthusiasm – and reveled in filling the gaps in our Protestant-driven ignorance as we tried to understand the theology that drove Hopkins’ life and work.  He had been retaking the class as an audit in this senior year, for fun as well as to deepen his understanding of the poetry, and I had been relying on his articulate explanations of Catholic theology and life.

We knew he struggled with depression.  He knew our hearts, and our time, were always open to him.  Yet none of us had any idea how deep the darkness lay, and on Monday the campus itself felt heavy with sorrow, anger, and confusion, as we met each other in hallways and classrooms with aching hearts and weeping.  My own frustration turned from Christopher (why did you do this!) to those who seemed to demand that there be a specific, clear, easy-to-articulate answer to that very question, wanting to blame his circumstances or his pride.  “I’ve been there,” I kept telling them; “there is no answer that will satisfy you.”  And I quoted Hopkins again and again:  

O the mind, mind has mountains; cliffs of fall 
Frightful, sheer, no-man-fathomed. Hold them cheap 
May who ne'er hung there. 

And inside I was crying out, O Christopher, why couldn’t you hold to the hope that your beloved poet showed you even in his own darkest moments!

In chapel, the gospel was preached alongside the memories.  There, thankfully, no one tried to explain, only to offer hope, for Christopher, for us all.  At some now-forgotten word spoken by one of his other faculty mentors, I doubled over in near-physical pain – because in that moment, I suddenly realized the awful pain we were feeling as only the tiniest pang of all the pain of all the world, and images flooded my mind: the horrific torture and killing of believers in the Middle East; the degrading enslavement of women and children to the lust of evil men; abortion and the genocide of those with Down’s Syndrome; murders on the streets, and in hospitals where the elderly and the infirm are discarded like so much trash; the suffering and death of multitudes from disease and injuries; destroyed marriages, rebellious children, abusive or absent parents; the suffering of those like Christopher – so many, too many – trying to find peace and somehow missing it . . .

I literally could not breathe. 

The moment passed, but I have held to it since, wanting always to know that the brokenness I see is the barest image of the brokenness that is.  One can’t think of it too often, much less feel it – we mortal beings aren’t made to bear the whole world’s burdens – but it was good to catch that tiny glimpse of what our Lord sees and bears every moment of every day, the brokenness we have brought on ourselves in our demand to be like Him.  In some manner that I cannot explain, that moment of horrific darkness strengthened my hope in His light to illumine our way.  If He died for all that, if He carries all that every day . . . then He must love us indeed.

And yet, despite that hope, the rain continues to dog us even as April begins with its Easter resurrection.  And that empty chair in my Hopkins class . . . that chair is so empty. 

photo credit:  Celeste Damiani at Flickr, Creative Commons licensing

07 August 2018

The Squire's Tale

Hunting for something new at McKay's the other day, I ran across a series by Margaret Frazer -- the Dame Frevisse Medieval Mysteries -- in which a nun in a medieval convent solves crimes.  It looked intriguing, and a quick glance showed the writing to be good, so I decided to try it out and bought The Squire's Tale.   

It's a quiet, slow-paced novel, allowing the reader to get a sense of character, setting, and context without leaping into the criminal action.  In fact, the murders to be solved don't even occur until nearly 3/4 of the way through.  Yet I didn't find myself wondering when we would get to that point; I felt that the development warranted it and merely kept wondering which character it would be, given the dynamics among them.

Dame Frevisse interests me very much.  She is a woman of faith, who loves God and the worship of God, who gives willing obedience to her superior in the convent, who goes about her tasks with a generally willing and cheerful spirit.  When her tasks are not to her liking, she takes herself in hand, bites back uncharitable words and thoughts, and gets on with it.  When a matter is none of her business, she curbs her curiosity and turns her mind elsewhere.  At the same time, she notices all that goes on around her and remembers it when she needs it.

Not that she is a doormat, not at all.  When the abbess proposes that she wear an expensive cloak (a gift from her cousin which she never wears because of her vow of poverty) on her journey, she points out that the other sister has no such cloak and it would look out of place for one to be richly dressed, the other not; the abbess accepts her assessment.  When the lady of the house she stays in for a time acts the fool, Dame Frevisse rebukes her calmly and firmly and does not give in to her pleas for undeserved pity.  When the men of the household demur at her asking questions, she simply asserts the authority given her by the master of the house and persists.

Perhaps because the murders occur so late in the book, I did find the resolution a little too quick.  It wasn't unprepared for; I had suspected the culprit now and then though without certainty.  But we hadn't been as well prepared for the motive as I would have liked.  (I also felt that one of the principle characters should have done a bit of penance before being rewarded, though the reward is just.)  However, for me these were minor flaws.

Especially refreshing: no foul language; no explicit sex or excessive gore; unashamed discussion of sin, repentance, love of God, right and wrong; characters who struggle with sin and desire to live righteously; a main character who is willing to obey God and man yet without being limply subservient and while upholding the claims of justice.  In other words, I found it realistic without giving in to certain modern sensibilities which I find wearying at best.

I'd put this novel on a par with Ngaio Marsh's Inspector Alleyn series and plan to gather others as I can.  An enjoyable day's read, and, if you like character development and quiet pacing, definitely worthwhile.